Quentin Tarrintino.

Quentin Jerome Tarantino, born March 27, 1963, is an American film director, screenwriter, producer, cinematographer and occasional actor. In the early 1990s he began his career as an independent filmmaker whose films used nonlinear storylines and the aestheticization of violence. - http://en.wikipedia.org/wiki/Quentin_Tarantino



Filmography
His films include Reservoir Dogs (1992), Pulp Fiction (1994), Jackie Brown (1997), Kill Bill (2003–2004), Death Proof (2007) and Inglourious Basterds (2009). His films have earned him an Academy Award, a Golden Globe Award, a BAFTA and a Palme d'Or and he has been nominated for Emmy and Grammy awards.


REVIEWS;
"The film is trademark bloated Tarantino, featuring scene after scene that could have been curtailed or expedited, which might have significantly affected an off-putting 150-minute running time.  But Tarantino lost his “no” men years ago, while distribution honcho Harvey Weinstein continues to serve as an enabler of sorts."


"Quentin Tarantino’s “Inglourious Basterds” isn’t as indulgent as “Death Proof” or “Kill Bill: Vol. 2,” but it doesn’t have the filmmaking panache and wit of the moving image to forgive it its sins like “Kill Bill: Vol. 1,” either.  It’s a slightly more contained bout of silliness, but it’s silliness nevertheless."


"He instead seems to have locked himself in his room, oblivious to reaction.  It matters to him and him alone, which, to some extent, is rather admirable.  But is anyone actually paying attention anymore?"


Inglourious Basterds not only knows that it is a fictional movie, but also that it is being watched by an audience, and herein lays its greatest achievement.'
'Tarantino is at times like a flamboyant, egomaniacal orchestra conductor, gesticulating wildly and turning to the audience to make sure we know that the show's about him.'
'Simply Tarantino's best. A very intelligent script that combines war movie elements with some pointed observations about violence in movies and in society.'
'Shows how most of us turn to film for both fantasy escape and an avenue to make the abstract past tangible, enough to even possibly, and powerfully, replace actual history.'
'Tarantino has a created a more moving tale about the Jews and the Nazis during World War II than, for example, last year's much more reverent Defiance, which was actually based on a true story yet came off as shtick.'


-All in all its obvious that the film wasnt massively respected by film critics, this didnt matter to Tarrintino he was extremely happy with the outcome and if i do say myself i really enjoyed the film and all aspects that followed it.